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假想圖集與旅行者

張貼人:貓小編 / 發佈日期:2020-01-13

 

簡介

地點 venue:關渡美術館 KdMoFA G501、G401
聯合開幕Opening reception:1/17(Fri.) 17:00

 
藝術家:林子桓
Artist: Tzu Huan Lin
 
“空間似乎是客觀性的領域,但它在社會意義上僅存在於活動中:用於(並憑藉)騎馬或騎馬,乘汽車,輪船,火車,飛機或其他方式旅行。因此,從某種意義上說,空間提出了可供選擇的同源路徑,而在另一種意義上,空間則投資了具有特殊價值的特定路徑。”-昂希·列斐伏爾 《空間的生產》
 
假想圖集與旅行者是社交活動的歷史,乘載社交事件的空間,以及建築和電影的概括。展覽空間包括兩層/兩樓的遊記,林子桓將首次亮相一部名為《假想旅行者》的新錄像作品。影片通過觀景窗帶有畫廊社交場景的影像起始,點出與觀眾相同的第一人稱視角。接著故事描敘人類第一個產生社交活動的空間。通過改變我們觀看藝術的方式,敘述者將我們帶到畫廊和我們都面臨的迴圈。為了逃避,時間凍結了,藝術家深入研究了火山的故事並從歷史和神話的不同角度觀看火山口的形成。藝術家的相機成為穿越時空的交通工具。旁白者以自己的情感感動觀眾,而這些通道通過進行巡迴演出和繞道而將每個房間連接起來。藝術家的相機成為帶領觀眾穿越時空的交通工具而旁白以自己的情感作為通道,通過反覆的前行與繞道將每個空間連接起來。
 
“為什麼我們不能將客廳的窗戶打開就看到一個模型,一個代表美麗的風景。。。。如果能一個月改變一次窗戶的視野那有多好?從羅馬到那不勒斯,從那不勒斯到墨西拿,或我們喜歡的任何地方,而無需移動。”-蒂菲爾·高鐵(Théophile Gautier)
 
第二層/樓是一件為此空間限定的裝置作品,通過光影探索建築。隨著觀眾的移動,建築隨著時間的流逝而漸漸顯露。八個牆面被作為一個窗簾覆蓋的隱藏影像/歷史。觀眾歡迎去探索並發現隱藏的內容。
 
“Why couldn’t we have the windows of our living room open onto a diorama, representing a beautiful landscape.… It would be wonderful to change the view from one’s window once a month—to go from Rome to Naples, from Naples to Messina, or wherever we like, without having to move.”
 
-Théophile Gautier
 
The second floor is a site-specific installation that explores the architecture through the light and the shadow. Architecture brings to light over time as the audience moves through it. The eighth wall spaces served as hidden image/ history covered by curtains. The audience are encouraged to uncover the covered the shadowed.
 
“Space appears as a realm of objectivity, yet it exists in a social sense only for activity: for (and by virtue of) walking or riding on horseback, or traveling by car, boat, train, plane, or some other means. In one sense, then, space proposes homologous paths to choose from, while in another sense it invests particular paths with special value.”
 
-Henri Lefebvre The Production of Space
 
Hypothesis Atlas Voyager is the history of socializing, the space that housed the social events, and the sight-seeing of architecture and film. The exhibition space housed two floors/chapters of travelogue. On the first floor, Tzu-Huan Lin will debut an intricate new video work entitled Hypothesis Voyager. The video opening with a gallery social scene through the viewfinder, point out the first-person view that associated with the spectator. Then the story turns into discovering the history of the first human shelter that held the social events. Through the shift of the way we see art, the narrator travels us to the gallery and the loop we all faced. To escape, the time froze, the artist takes a deep look into the story of volcano mt. Vesuvius and sees the crater from a historical and mythology perspective of how it formed. The artists’ camera becomes the vehicle voyage the viewer through time and space. The narrator travels the audience with her emotions that served as the passages connect each chamber by making the tour and detours.
 
“Why couldn’t we have the windows of our living room open onto a diorama, representing a beautiful landscape.… It would be wonderful to change the view from one’s window once a month—to go from Rome to Naples, from Naples to Messina, or wherever we like, without having to move.”
 
-Théophile Gautier
 
The second floor is a site-specific installation that explores the architecture through the light and the shadow. Architecture brings to light over time as the audience moves through it. The eighth wall spaces served as hidden image/ history covered by curtains. The audience are encouraged to uncover the covered the shadowed.
 


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